Additional analogue pictures
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Landschaft im Winter, [Landschaft im Winter] (japanese: 冬山水図 Tō sansui zu) Fugai Honko (japanese: 風外本高) (zugeschrieben) HideFūgai Honkō [m] japanese: 風外本高 Name variations: Taira, Azuma Taiji, Entsū-ji Fūgai, Fūgai, Kōjaku-ji Fūgai, Kōyū, Shun'en Profession: Maler, Priester born: 1779 died: 1847 in Ōsaka Country of proof: Japan active in Ōsaka, Toyota (Präfektur Aichi), Matsue LiteratureRoberts, A Dictionary of Japanese Artists, 1976 Japan Edo-Zeit (1603-1868), 19. Jahrhundert Bild 124,7 x 28,5 cm Tusche und leichte Farben auf Papier
InscriptionSignatur, rechter Bildrand: Fūgai sha Siegel, rechter Bildrand, Transkription: Kōyū
Köln, Museum für Ostasiatische Kunst, , A 77,86
LiteratureJapan Society, Catalogue of Japanese Art in Foreign Collections 8, 1999, S. 69, Kat.-Nr. 186, Abb. 186 (SW-Tafel) Hide Painting in the Museum of East Asian Art, Colognein: Catalogue of Japanese Art in Foreign Collections edited by The Japan Society for the Conservation of Cultural Property (= Catalogue of Japanese Art in Foreign Collections, Volume 8) Nara 1999 Köln MOK, Splendid Impressions, 2011, III-8, S. 157 Hide Doris Croissant, Yukio Lippit, Melissa McCormick, Matthew P McKelway und Josua S. & Trede, Melanie Mostow, Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologneedited by Doris Croissant edited by Museum für Ostasiatische Kunst & Hotei Publishing Leiden 2011 ExhibitionsGoldene Impressionen, Köln 2011 Hide Splendid Impressions. Japanese secular painting 1400-1900 & Goldene Impressionen. Japanische Malerei 1400-1900 29.10.2011-.0..0. 201 Köln, Museum für Ostasiatische Kunst Explanations for this objectThe landscape comes across as a brisk sketch, using a calligraphic brush technique to capture the silence and solitude of a winter’s day in the mountains. The composition consisting of a few vertical lines and horizontal dabs on a blank background, betrays the confident calculation of an artist who worked on the border between painting and calligraphy. Fûgai Honkô entered a Zen monastery as a boy and became abbot of various temples. Unlike famous painter monks before him, he incorporated the landscape into his repertoire and took nanga painters such as Ike no Taiga (1723-1776) as his model. |
Permalink: https://mok-public-test.kulturelles-erbe-koeln.de/documents/obj/05719440
Dok-Nr.: obj 05719440
- Universitäts- und Stadtbibliothek Köln
- Fugai Honko
- Kunst- und Museumsbibliothek
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- Deutsche Nationalbibliothek
- Fugai Honko
- Artlibraries.net
- Fugai Honko