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  • Image credits: Kodansha-Verlagbefore 1995
    --- Picture hidden for legal reasons. ---
    Ukiyo Masatoshi, Wakashu Dancer (Narihira odori), Japan, Inv.-Nr. A 238
  • Reproduction-no.: rba_mf700764
    Image credits: Rheinisches Bildarchiv Köln
    Ukiyo Masatoshi, Wakashu Dancer (Narihira odori), Japan, Inv.-Nr. A 238

Additional analogue pictures

  1. Photo no.: RBA 700 764          


These negatives/slides are analogous. They can be viewed in the Rheinische Bildarchiv. Please direct your inquiry to the office of the Rheinische Bildarchiv: rba@rbakoeln.de.

Wakashu-Tänzer (Narihira odori),

[Wakashu-Tänzer (Narihira odori)]


(japanese: 若衆舞図 Wakashu mai zu)
Ukiyo Masatoshi (japanese: 浮世正歳)
Japan
Edo-Zeit (1603-1868), Kanbun-Ära (1661-1673), 17. Jahrhundert
Bild

57,5 x 27,5 cm
Tusche, Farben, Gold und Silber auf Papier
Siegel, unten links, Transkription: Masatoshi, Beschreibung: Künstlersiegel

Literature

Japan Society, Catalogue of Japanese Art in Foreign Collections 8, 1999, S. 87, Kat.-Nr. 248, Abb. 248 (SW-Tafel)

 
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Painting in the Museum of East Asian Art, Cologne

in: Catalogue of Japanese Art in Foreign Collections

edited by The Japan Society for the Conservation of Cultural Property

(= Catalogue of Japanese Art in Foreign Collections, Volume 8)

Nara 1999

Kodansha, Japanese Art: The Great European Collections 8, 1992, Abb. 63 (Farbtafel)

 
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edited by Kodansha Publishers Ltd.

(= Hizō nihon bijutsu taikan / Japanese Art: The Great European Collections, Kerun tōyō bijutsukan, Vol. 8)

Tokyo 1992

Japanische Malerei, Köln 1956, Katalog-Nr. 28

 
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Werner Speiser, Japanische Malerei und Graphik - Gedächtnisausstellung zum 100. Geburtstag von Adolf Fischer

edited by Museum für Ostasiatische Kunst

Köln 1956

Köln MOK, Splendid Impressions, 2011, S. 241, Katalog-Nr. VI-1, Abbildung S.240

 
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Doris Croissant, Yukio Lippit, Melissa McCormick, Matthew P McKelway und Josua S. & Trede, Melanie Mostow, Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologne

edited by Doris Croissant

edited by Museum für Ostasiatische Kunst & Hotei Publishing

Leiden 2011

Goldene Impressionen, Köln 2011, S. 20, Abbildung S.20

 
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Susanne Kuhn, Goldene Impressionen. Japanische Malerei 1400-1900

edited by Museum für Ostasiatische Kunst

Köln 2011

Exhibitions

Goldene Impressionen, Köln 2011

 
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Splendid Impressions. Japanese secular painting 1400-1900 & Goldene Impressionen. Japanische Malerei 1400-1900

 29.10.2011-.0..0. 201 Köln, Museum für Ostasiatische Kunst

Japanische Malerei, Köln 1956

 
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Japanische Malerei und Graphik

 09.05.1956-05.08.1956 Köln, Eigelsteintorburg

Explanations for this object

Pictures of beauties included not only women, but also the ideal portraits of beautiful boys (wakashu) who achieved fame as actors and dancers. The dancer with effeminate facial features is holding a fan in his right hand. A sword and a rod with white Shintô paper strips are fastened to his back. He is dancing the Narihira dance of wakashu-kabuki, which embodies the poet Ariwara no Narihira (825-880). In wakashu-kabuki the ‘men’s dance’, originally performed by dancing girls, had an ambivalent erotic aspect, because the dancing boy played a female dancer in the role of the male poet Narihira.

Author: Adele Schlombs



     

Permalink: https://mok-public-test.kulturelles-erbe-koeln.de/documents/obj/05082368
Dok-Nr.: obj 05082368

 
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