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  • Artist:
  • Reproduction-no.: rba_d012749
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 23.01.2009
    Fugai Honko, Landscape in Winter, Japan, Inv.-Nr. A 77,86
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  • Reproduction-no.: rba_mf172442
    Image credits: Rheinisches Bildarchiv Köln
    Fugai Honko, Landscape in Winter, Japan, Inv.-Nr. A 77,86
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Additional analogue pictures

  1. Photo no.: RBA 172 442          


These negatives/slides are analogous. They can be viewed in the Rheinische Bildarchiv. Please direct your inquiry to the office of the Rheinische Bildarchiv: rba@rbakoeln.de.
Landschaft im Winter,

[Landschaft im Winter]


(japanese: 冬山水図 Tō sansui zu)
Fugai Honko (japanese: 風外本高) (zugeschrieben)
Japan
Edo-Zeit (1603-1868), 19. Jahrhundert
Bild

124,7 x 28,5 cm
Tusche und leichte Farben auf Papier

Inscription

Signatur, rechter Bildrand: Fūgai sha

Siegel, rechter Bildrand, Transkription: Kōyū
Köln, Museum für Ostasiatische Kunst, , A 77,86

Literature

Japan Society, Catalogue of Japanese Art in Foreign Collections 8, 1999, S. 69, Kat.-Nr. 186, Abb. 186 (SW-Tafel)

 
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Painting in the Museum of East Asian Art, Cologne

in: Catalogue of Japanese Art in Foreign Collections

edited by The Japan Society for the Conservation of Cultural Property

(= Catalogue of Japanese Art in Foreign Collections, Volume 8)

Nara 1999

Köln MOK, Splendid Impressions, 2011, III-8, S. 157

 
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Doris Croissant, Yukio Lippit, Melissa McCormick, Matthew P McKelway und Josua S. & Trede, Melanie Mostow, Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologne

edited by Doris Croissant

edited by Museum für Ostasiatische Kunst & Hotei Publishing

Leiden 2011

Exhibitions

Goldene Impressionen, Köln 2011

 
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Splendid Impressions. Japanese secular painting 1400-1900 & Goldene Impressionen. Japanische Malerei 1400-1900

 29.10.2011-.0..0. 201 Köln, Museum für Ostasiatische Kunst

Explanations for this object

The landscape comes across as a brisk sketch, using a calligraphic brush technique to capture the silence and solitude of a winter’s day in the mountains. The composition consisting of a few vertical lines and horizontal dabs on a blank background, betrays the confident calculation of an artist who worked on the border between painting and calligraphy. Fûgai Honkô entered a Zen monastery as a boy and became abbot of various temples. Unlike famous painter monks before him, he incorporated the landscape into his repertoire and took nanga painters such as Ike no Taiga (1723-1776) as his model.

Author: Adele Schlombs

     

Permalink: https://mok-public-test.kulturelles-erbe-koeln.de/documents/obj/05719440
Dok-Nr.: obj 05719440

  •  Universitäts- und Stadtbibliothek Köln
  • Fugai Honko
 
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