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  • Reproduction-no.: rba_d012758
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 13.01.2011
    Portrait of Sugawara no Michizane, Japan, Inv.-Nr. A 09,60
Porträt von Sugawara no Michizane

[Porträt von Sugawara no Michizane]


(japanese: 菅原道真像 Sugawara Michizane zō)
Japan
Muromachi-Zeit (1333-1573), 15. Jahrhundert
Bild

82,6 x 38,8 cm (ohne Montierung), 167,4 x 56,3 cm (mit Montierung)
Farben auf Seide

Literature

Japan Society, Catalogue of Japanese Art in Foreign Collections 8, 1999, S. 21, Kat.-Nr. 59, Abb. 59 (SW-Tafel)

 
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Painting in the Museum of East Asian Art, Cologne

in: Catalogue of Japanese Art in Foreign Collections

edited by The Japan Society for the Conservation of Cultural Property

(= Catalogue of Japanese Art in Foreign Collections, Volume 8)

Nara 1999

Kodansha, Japanese Art: The Great European Collections 8, 1992, Abb. 15 (SW-Tafel)

 
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edited by Kodansha Publishers Ltd.

(= Hizō nihon bijutsu taikan / Japanese Art: The Great European Collections, Kerun tōyō bijutsukan, Vol. 8)

Tokyo 1992

Köln MOK, Splendid Impressions, 2011, IV-2, S. 166 f.

 
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Doris Croissant, Yukio Lippit, Melissa McCormick, Matthew P McKelway und Josua S. & Trede, Melanie Mostow, Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologne

edited by Doris Croissant

edited by Museum für Ostasiatische Kunst & Hotei Publishing

Leiden 2011

Exhibitions

Goldene Impressionen, Köln 2011

 
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Splendid Impressions. Japanese secular painting 1400-1900 & Goldene Impressionen. Japanische Malerei 1400-1900

 29.10.2011-.0..0. 201 Köln, Museum für Ostasiatische Kunst

Explanations for this object

Portraits of Michizane (845-903), the ‘God of Heaven’ (tenjin), show him seated as in this picture, or as a standing figure as an ambassador to the Chinese court. The portrait was venerated in one of the numerous Tenjin shrines. The wide open eyes and row of white teeth show him in his manifestation as wrathful spirit of revenge (ikari tenjin). In the struggle against the privileges of the Fujiwara, he had become a minister and ambassador, but on account of intrigues was sent into exile where he died. He became a spirit of revenge who threatened the Tennô system from the beyond. To pacify his spirit, he was posthumously rehabilitated and numerous shrines were dedicated to him.

Author: Adele Schlombs



     

Permalink: https://mok-public-test.kulturelles-erbe-koeln.de/documents/obj/05082376
Dok-Nr.: obj 05082376

 
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