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Additional analogue pictures
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Pan Lang, [Pan Lang] (japanese: 潘閬図 Hanrō zu) Bild 60 x 24,4 cm Tusche auf Papier
Siegel, Transkription: Kannan
Köln, Museum für Ostasiatische Kunst, , A 77,39
LiteratureJapan Society, Catalogue of Japanese Art in Foreign Collections 8, 1999, S. 41, Kat.-Nr. 111, Abb. 111 (SW-Tafel) Hide Painting in the Museum of East Asian Art, Colognein: Catalogue of Japanese Art in Foreign Collections edited by The Japan Society for the Conservation of Cultural Property (= Catalogue of Japanese Art in Foreign Collections, Volume 8) Nara 1999 Meisterwerke MOK, Tobu-Tukuoka-Yamagata 1997-1998, Kat.-Nr. 70 Hide Kerun Tôyôbijutsukanten (Meisterwerke aus China, Korea und Japan im Museum für Ostasiatische Kunst Köln)edited by White Public Relations Co. Ltd. Tokyo 1997 Köln MOK, Meisterwerke, 1995, S. 206, Kat.-Nr. 86, Abb. S. 207 Hide Meisterwerke aus China, Korea und Japanedited by Adele Schlombs edited by Museum für Ostasiatische Kunst Köln1. AuflageTirage, 1995 Kodansha, Japanese Art: The Great European Collections 8, 1992, Abb. 19 (Farbtafel) Hide edited by Kodansha Publishers Ltd. (= Hizō nihon bijutsu taikan / Japanese Art: The Great European Collections, Kerun tōyō bijutsukan, Vol. 8) Tokyo 1992 Debon, Mein Haus liegt menschenfern, 1988, S. 224 Hide Günther Debon, Mein Haus liegt menschenfern doch nah den Dingen - Dreitausend Jahre chinesischer PoesieMünchen 1988 Köln MOK, Splendid Impressions, 2011, S. 130 f., Kat.-Nr. II-6 Hide Doris Croissant, Yukio Lippit, Melissa McCormick, Matthew P McKelway und Josua S. & Trede, Melanie Mostow, Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologneedited by Doris Croissant edited by Museum für Ostasiatische Kunst & Hotei Publishing Leiden 2011 Goldene Impressionen, Köln 2011, S. 51, Abb. 38 Hide Susanne Kuhn, Goldene Impressionen. Japanische Malerei 1400-1900edited by Museum für Ostasiatische Kunst Köln 2011 ExhibitionsGoldene Impressionen, Köln 2011 Hide Splendid Impressions. Japanese secular painting 1400-1900 & Goldene Impressionen. Japanische Malerei 1400-1900 29.10.2011-.0..0. 201 Köln, Museum für Ostasiatische Kunst Meisterwerke MOK, Tobu-Tukuoka-Yamagata 1997-1998 Hide Kerun Tôyôbijutsukanten (Meisterwerke aus China, Korea und Japan im Museum für Ostasiatische Kunst Köln) 1997 Tobu, Museum of Art Explanations for this objectPan Lang, a loyal retainer of the Chinese King Mu (10th century BCE), was banished to Mt. Hua. When he was ordered to return, he had become so fond of his exile that he rode his donkey backwards, in order to get an enduring impres-sion of Mt. Hua. The subject became popular in Japan as well. The contrast be-tween the blank expression of the donkey and the hidden visage of Pan Lang, which we imagine to express melancholy and ambivalence, is of special appeal. |
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Dok-Nr.: obj 05719458
